McLemore sent an email to the staff of the show 'This American Life' asking them to investigate an alleged murder in his hometown of Woodstock, Alabama, a place McLemore claimed to despise. Matt also comments specifically on the lyrics: "I decided that the lyrics would shadow McLemore's life." In 2012, antiquarian horologist John B. Watching the initial trailers for the game & looking at production sketches reminded him of the 'S-Town' podcast & its main protagonist, John B. Matt Shadows their lead singer says the song was written as per request from the developers of Call of Duty: Black Ops 4. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. 'Cause I'd do anything to be your everything
Open up the heaven in your heart and let me be I want you laying in the love I have to bring Oh, if I stay here without you, Darling, I will die The things you are to me and not some puppet on a string
Open up the Heaven in your heart and let me be I would wait forever for those lips of wine If you give a little more then you're asking for The result was a can’t-miss slice of soft rock that became a #1 pop hit in 1977, starting Gibb’s career with a bang and setting the stage for a string of hits that continued through the end of the 1970's.You and me been finding each other for so longĪnd the feeling that I feel for you is more then strong, girl Gibb tops it off with a sweetly melodic lead vocal that crosses over into Bee Gees-styled falsetto on the chorus (the Bee Gees-styled sound is further enhanced by the prominent backing vocals of Barry Gibb, who also penned the song). Andy Gibb’s recording of "I Just Want To Be Your Everything" perfectly captures the essence of mid-1970's soft rock with its glossy production, which marries acoustic guitar textures and ethereal washes of synthesizer to a light but insistent beat that borders on disco.
The lyrics present a twist on the usual love song premise - the song’s narrator isn’t trying to win over some mysterious object of desire but trying to earn the devotion of someone who hasn’t made up her mind about him: "Open up the heaven in your heart and let me be/The things you are to me and not some puppet on a string." The music reflects the narrator’s inner tension by contrasting verses that rise and fall in a pensive fashion with a chorus whose rapidly ascending style mirrors the anxious quality of his pleas. The first was "I Just Want To Be Your Everything," a soft-rock tune with plenty of Bee Gees-style hooks. One of the key beneficiaries of this generosity was Andy Gibb, the youngest Gibb brother, who went on to enjoy a string of three #1 hits penned by his brothers. By 1977, the Bee Gees were writing so many hits that they could afford to pass a few off to other artists.
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